Tuesday, 29 October 2013
an atrium in the desert
Paul Klee making visible (making im-material)
On at the Tate Modern, London until 9th March 2014
1.
Hotel rooms. lego blocks
by a lake. atrium in the desert
at the top of the green fields
the Kasbah folding up into the size of a postage stamp
through a letter box.
trailing umbilical cord
hushed flaps sail. I can see it all.
2. traces
at the museum Neue Kunst Hans Goltz
a clockwork mechanism counts down
the silent fishing rod hook beneath the lake
pendulum still, rotations still
tides round the hot lazy sun.
3.
tattoos peeling off the sheets
scrolls pressed and dried
toner unfixed
I press through the sheets
and oil on my palms.
substance - glass - scales
shield and reflect
but the gills let the right ones in
4.
In the aerodrome hotel a telescope landing strip
the city flattens out.
5. etre
ruined architraves
ancient futures in fish eye memories
the memory of bulbs, from inside out
slicing through the onion epidermis
sandstone's memory, an ocean mountain
this is a concentration game
like a computer game
pinball. architect. dot matrix
woven tear garden
6.
The cloth makers cottages along Claygate. Three children run to sunday school or out onto the wash. The light curves drawn out onto the open fields. The land here is beneath sea level and so water flows downhill towards the centre. The birds know this and nest. The alphabet's visible root structures. It's the catastrophe of a dream. It's a dot on the map.
Sunday, 29 June 2008
Cy Twombly
Text: Cy Twombly with errors, emendations, inclusions, and collaging by David Foster

Cy Twombly , Ferragosto V 1961
*
Please remain behind the line. cross the line. line of trees. line drawn up.
letters wake, shake out the sleep begin to resemble
*
Ferragosto paintings
touching flesh
body tastes
water interludes
U U U days age
131415
globes
fruit juices
wanton sky
feria lights
ache
crusted
hardly a
noun all
summer
touching
big sex
huge cunt
fruits
almost waking
lift my head
Cy Twombly, (Untitled) Bolsena 1961
Bolsena Series
cloud 9. sun. bulb. 335. 3 1/2. 1 67. 144. 17 ½ . 2. by 2 by 3. number II. CT. 67. 2. 3. 7 ½ . 92. void (3) (3) w. w. w. bulb. sum.
38. 2 ½ . 4. just. 1 ½ . 7 – 11. 3 ½ . brushing. orbits. 124. 200. 126 – 700. 180.214. overlay. clearing 14 O E. 12662870. error 0 3 x.
sssssssswch. ssssssssssswch. 2/8. 2 over 1 2 2 stage 2 4. 1964. raise vertical. N028. ½ . 3 4 2. 4 < 4/5. 1801. 224. 14x20. 18x20 lay. stem and out
*
Veil Paintings
sheets along the plain
one moment also proceeds
conveyance purring trail. chalk grates
mail pouring. commute
inside the falling veil.
*
Untitled 1971
roomful and not even . so
rain . rain from the east
rain through the day. rain at dusk.

Cy Twombly, The
Shores
grid bubbles sur-wake
as if glass mirrors. the surface of the
scatter. In the hall. rain leaks
pigment. braile. sur-wake. drowns
breathing. tow gondolas through the. rake sifting
channel dredge up. notes scatter. window
blows open.

Cy Twombly, Quattro Stagioni: Primavera 1993-5
Quattro Stagioni
1. And you who thought of happiness fleeing would feel the
illumination that almost overwhelms and will.
motes suture happiness pulling little falls
3. Autumn sweet breads. passenger, you’re Priam B.S.E.E.M.S you beetroot fog.
and yet in the south and exceeding moon like
*
Cy Twombly, Cycles and Seasons
At the Tate Modern , London
19th June - 14th September, 2008
http://www.tate.org.uk/modern/
Here’s an introduction to Twombly’s work
http://www.tate.org.uk/tateetc/issue13/cytwombly.htm